ARTISTS

Since the inception of Great White, we’ve used art to liven up our spaces, commissioning a myriad of artists to lend their hand to enhance our cafe walls. We took a look around and realized an opportunity to take these ideas off the walls and apply them to our everyday elements, goods that usually come and go, without a second thought.

ALLI CONRAD
for GREAT WHITE

Alli’s work caught our attention some time ago. When we reached out to commission her for our signature orange wine label we found out not only was she a wine connoisseur, she was also a fan of ours, kismet.

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MICHAEL HARNISH
for GW BRENTWOOD

Enjoy a large-scale work by renowned Los Angeles-based artist Michael Harnish, which adorns the far wall and acts as a focal point of the dining room.

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EMMA ORTIZ
OUR THIRD RESIDENT ARTIST

Emma Ortiz is an artist born and based in Miami. With a deep awareness of the present moment and creating work intuitively, Emma uses oil paint to tell stories.

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GREAT WHITE LARCHMONT
RAFAEL URIEGAS

Rafael Uriegas is a Mexican based painter & muralist. His vibrant and often abstract work draws on the traditions of Latin American art, referencing myths and religion as well as motifs from the natural world.

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TONY CAMARO
OUR second RESIDENT ARTIST

Tony is a Los Angeles native whose multidisciplinary creative output includes art, fashion design and creative direction across a myriad of projects.

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RANDY PEREZ
OUR first RESIDENT ARTIST

Randy Perez is a multimedia artist whose work merges a melody of cultural influences from urban cowboys, horses, graphic design and apparel.

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DANNY GRETSCHER
FOR GW MELROSE

Danny Gretscher’s vivid, fractured paintings are dotted with loose figurative forms that frequently dissolve into chromatic geometric shapes, raw planes of thick impasto, & enigmatic snatches of poetic text.

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GREAT WHITE VENICE
MICHAEL WALL

The first artist we’ve worked with, Michael Wall is a London based artist, playfully addressing scale, form and colour - his pieces offer themselves to be ambiguous and approachable.

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